Homofactus Press

making history one book at a time

Scott Turner Schofield

CONTACT INFORMATION:
pr@homofactuspress.com

MEDIA IMAGES:
Scott Turner Schofield
BIOGRAPHY:
Scott Turner Schofield began his performance art career working as a research assistant to Holly Hughes and Carmelita Tropicana at the WOW Café in 2000. Now a full-time performance artist, educator, and producer, he tours his acclaimed one-trannie shows, “Underground Transit”, “Debutante Balls”, and “Becoming a Man in 127 EASY Steps” nationwide. His solo work has been selected for programming at HERE in New York City, the Chicago Single File Festival, 7 Stages in Atlanta, Seattle’s Pat Graney Company (at Richard Hugo House and the Capitol Hill Arts Center), the Philadelphia Fringe Festival, New York City’s Fresh Fruit Festival, and the FRESH MEAT series at the National Queer Arts Festival in San Francisco, as well as at scores of colleges and universities. Lauded for his direct and accessible presentation, Schofield has been honored with several commissions for new work, and is the youngest recipient ever of a Tanne Foundation Award for Outstanding Achievement and Commitment to Art. He currently serves as Artistic Associate at 7 Stages in Atlanta, as a 2007 Princess Grace Foundation Acting Fellow. Find out more at www.undergroundtransit.com.

BOOK DESCRIPTION:
Two Truths and a Lie is a memoir in the form of three solo plays written and performed by Scott Turner Schofield. From inside the often hilarious—but all too real—moments of his young life on the Homecoming Court and Debutante Ball circuit (in a dress), through a closet of suits to find one that fits, Schofield comes out with truly unbelievable stories of a body in search of an identity. By turns slapstick and slap-to-the-face, this drama invites audiences and readers to explore gender, sex, sexuality, and self in their own first person.

REVIEWS:

“… a bright, sharp and an important new performer in this country.” Tim Miller, Performance Artist

“A transgender, feminist performance artist with a national buzz going; funny, revealing, whip-smart and poetic.” -The Atlanta  Journal Constitution

“…true underground theater; literally and figuratively.” - BITCH Magazine

“Atlanta’s Best Local Artist in 2002.” - Readers’ Choice, Southern Voice Magazine  

“Underground TRANSit is absolutely worth seeing.” - Emory Wheel
 
“Elvis is alive.” - Creative Loafing